Sir David Attenborough on MARS Volume filming 'Dinosaurs: The Final Day', the BBC's first use of Virtual Production in a documentary. An infinitely long light tunnel is the perfect location for Le Col x McLaren's Project Aero campaign, only made possible by Virtual Production. British art historian and BAFTA nominated broadcaster, Dr. James Fox explores beyond the painted surface of Edward Hopper's 1942 'Nighthawks'. With complete design freedom, shooting Virtual Production enables natural scene lighting with full environment control, wherever and whenever.